Sep 252010
 

There are people who collect stamps. There are people who collect baseball cards. There are people who collect books, spoons, coffee mugs, ties, shoes, rocks, and sand. I bet if I can think of a thing, there’s somebody who gets really excited about collecting it in massive quantities. There are even some people who collect things that are less concrete. Some people like to collect anagrams or recipes. Personally, I like cool words (like agathokakological) and university nicknames/mascots (UC Santa Cruz Banana Slugs).

Sometimes I joke that I collect hobbies, and it’s probably my most significant collection of all. I think this comes from my passion for learning about new things. Some of them, like music, have stuck around and remain a large part of my life. Others, like the stop-motion animations I used to make with my Dad’s first digital camera, have been left behind in earlier parts of my life. When I think about picking up a new hobby to add to my collection, one of my concerns is the cost. Picking up golf would cost me hundreds of dollars or more, but picking up disc golf (as I did a few years back) only cost about ten or fifteen bucks. What, then, is the value of collecting these hobbies?

The wide variety of hobbies gets me thinking about things differently, like having your whole music library on shuffle. Listening to Bartok, then Ellington, then Berio, then the Beatles will cause you to think about Bartok, Ellington, Berio, and the Beatles differently.

Double Shadow

One of the most recent hobbies added to my collection was art. A couple of years ago, I picked up a basic acrylic paint set to occupy the hours not taken up by class. Never having taken an art class, I really didn’t know what I was getting into. Everything I was doing was an experiment. I learned what kinds of paper held the paint effectively, how paints behaved differently on canvases, and what interesting things I could mix into the paints to create different textures. It was just as exciting to me as learning about the basics of composition, instrumentation, and chord voicings; or learning about basic concepts in electronics or literature. Buried so mind-numbingly deep in studying music, I had forgotten that feeling of discovery, and painting helped me regain it.

I think my friend Matt Schoendorff might say the same thing about quantum physics. He became so enamored of the subject that he wrote as his doctoral dissertation a set of character pieces about quantum particles for wind band.

All too often, fear keeps us from trying new things. Fear of failure may be reasonable in, say, trying a Wild West-type pistols-at-dawn duel for the first time. But most of the time, trying something new isn’t as risky as that. Create something new, I think you’ll find that it’s worth it.

Most recently, I’ve tried producing a film and this.

What new things have you tried recently? How have they changed the way you think about other parts of your life?

Sep 062010
 

My parents are both scientists. They taught me to value science, curiosity, and learning. To their chagrin, I went into music. However, I never lost my love for science, and in particular, technology. Many people assume that art and artists don’t really go with technology, but there are some people who do brilliant work bringing the two together.

One new web technology I’m particularly excited about is HTML5. It’s going to change the web fundamentally, and it will do away with proprietary plugins (like Adobe’s Flash) and codecs. HTML5 is an open standard currently supported by Google’s Chrome browser and Apple’s Safari, with Firefox and Internet Explorer soon to follow. With tech development becoming an increasingly litigious affair, the only way to move forward together (with everyone in the world) is open standards and open source.

…which brings me to Arcade Fire. They recently released a new video for their song “We Used to Wait.” The video, which is called “The Wilderness Downtown,” did not debut on MTV or VH1, or even YouTube. It’s on it’s own HTML5 site. There, you enter the address of your childhood home, and the music video experience is tailored to you. As the song plays, you’ll see a music video experience that includes images from your own neighborhood pulled from Google’s vast geographical image database. This is all the brainchild of director Chris Milk, and it would not be possible without the open standard of HTML5, Google’s open API’s, and people who can think creatively about both technology and art!

Go there now, but make sure you’re using Chrome (or Safari, but seriously, use Chrome).

Aug 032010
 

A couple of weekends ago, I tried something new. I made a film. Well, I didn’t do it by myself, but I was part of a team of around 13 people that made a seven-minute film in only 48 hours. It was part of the 48 Hour Film Project in Detroit.

We met at 7pm on a Friday in Detroit and were assigned a genre (Sci Fi), a character (Jason/Janice Strawberry, realtor), a prop (an award), and a line of dialogue (“Take your time.”). All of these things had to be included in a final film that we turned in at 7pm the following Sunday.

It was a pretty crazy 48 hours. I was the producer, and my great friend and frequent creative collaborator Sam Merciers was the director. I would guess that we each got about 7 hours of sleep over the whole weekend, but it was completely worth it. I had more fun than just about anything else I’ve done all summer long. I experienced some of the same satisfaction I experience as a performer when a lot of hard work and preparation comes to fruition. There was also the exhilaration of improvisation from being asked spontaneously create something that is at once artistic and appropriate and technically sound.

In the end, I am extremely proud of what we created, especially considering we had never made a film before on any schedule. We got to see it on the big screen (or at least a big screen) at the Main Art Theater in Royal Oak, MI along with an audience of around 500 people. The experience reminded me forcibly of the feeling I get at the premiere of a new piece I’ve written. I hope it goes well, but it might completely bomb, and worst of all, it’s completely out of my control at that point.

For your consideration: Download.

Tonight, we’re going back down to Detroit for the awards presentation. I’ll be sure to post back here with the results.

Here are a few pictures of us during the production:

If we deploy enough gear, we almost look like we know what we're doing. We didn't really have a compelling plot reason for shooting at SCENE, but Tim Lane was kind enough to give us permission and the place and the art just looks so dang cool, we couldn't pass it up.

Emiliano and Matt (left) are composing and recording the score. Ben (top right) is editing the audio recorded on set. Corrina (bottom right) is working on a logo graphic for the credits.