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Commissioning Project Update

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WE DID IT!

Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. Thanks to each person that’s pledged. Thanks to each person that read about this project and thought about pledging. Thanks to each person who passed this project along to friends and colleagues. Who knew all you had to do to get a commission was to ask for one?

Earlier this morning, with a pledge from Alex Sellers, the commissioning consortium on Kickstarter reached its goal. It has since surpassed that goal (thanks to a generous pledge from Tim Rosenberg). If you read my blog, you should definitely read Tim’s as well. He doesn’t post as much as he used to, but there’s a lot of both thoughtful insights and humor. Well, I think it’s humorous anyway.

Talking about money like this is awkward for me. I’m asking people to pay me for something that, in all honesty, I’d probably do for free. I think most performers have this experience much younger than composers. I know I did as a performer. (Thankfully, one outgrows this feeling through playing showtunes and wedding music.)

Having said all that, I picked a goal of $500 because I thought it was achievable. I wanted to pick $1000, but I would have been in a crappy mood for a while if we’d only gotten to $800 and gotten nothing. Here’s the thing: yes, I’m a greedy jerk and I want your money, but that’s not the point (mostly). Now that we’ve reached the goal, the thing I’m more concerned about in this project is building a large network of people to play the piece. I know projects have been done in the past with new music to have lots of simultaneous “premieres” of works, but I want to have a big group of performers that are invested in this piece and feel some ownership of it. “Investment” and “ownership” are, literally speaking, words about money. However, I think it’s telling that we also use those words to describe intellectual, emotional, cultural, and (in this case) artistic connections as well. That’s what I want.

So my point is this: we’ve reached our goal on Kickstarter, but this project ain’t over until the fat lady’s digital watch alarm goes off on Friday, April 22, 2011 at 11:36pm EDT. Please, continue to pass the word along.

Also, I don’t know if I’ve fully convinced Tim that we need to do this, but I really want to write a paper that uses our Kickstarter experience as the basis for discussing Web 2.0 things and the future of music patronage. My working title is “Patronage 2.0.” I know, it doesn’t have a colon in it, so it’s not a real academic document title yet. Like I said, it’s the working title. I’d also really like to title the section on social networking “Tweet the Composer.” Whaddaya think?

Thankyou
  • http://www.matthewschoendorff.com Matt

    “Also, I don’t know if I’ve fully convinced Tim that we need to do this, but I really want to write a paper that uses our Kickstarter experience as the basis for discussing Web 2.0 things and the future of music patronage. My working title is “Patronage 2.0.” I know, it doesn’t have a colon in it, so it’s not a real academic document title yet. Like I said, it’s the working title. I’d also really like to title the section on social networking “Tweet the Composer.” Whaddaya think?”

    Yes! Do it! All of it.

  • http://www.alex-sellers.com Alex Sellers

    Glad to have the chance to hop on board with this! I’ll be passing it along to my studio members and some other friends that may be interested, as well.

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